The three canvases were made through a gradual process of marking, layering and exposure. Ash and charcoal — gathered from domestic and outdoor fires — were laid onto the surfaces and left to the elements.
Each canvas remained outside for extended periods, absorbing wind, rain and seasonal shift. Rather than determining the outcome, I allowed weather and duration to participate in the making. The surfaces carry that shared authorship — between intention and environment.
The film below records the works in situ, documenting their exposure and the conditions under which they were made — not only the process, but the atmosphere: moving air, falling rain and the quiet persistence of time.
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